|The shofar is used mainly at Rosh Hashanah and Yom Kippur. It is blown in synagogues to mark the end of the fast at Yom Kippur, and blown at four particular places at Rosh Hashanah. Because of its inherent ties to the Days of Repentance and the inspiration that comes along with hearing its piercing clasts, the shofar is also blown after morning services for the entire month of Elul (excluding Shabbath), which is the last month in the year but the sixth of the Jewish months which are counted from Nisan. It is not blown on the last day of month, however, to mark the difference between the voluntary blasts of the month and the mandatory blasts of the holiday. Shofar blasts are also used during penitential rituals such as Yom Kippur Katan and optional prayer services called during times of communal distress. It is also commonly blown to signify the beginning of worship at Karen Wheaton's ministries The Ramp. The exact modes of sounding can vary from location to location.|
The shofar is now almost never used outside these times, though has been seen in western classical music on a limited number of occasions. The best known example is to be found in Edward Elgar's oratorio The Apostles, although an instrument such as the flugelhorn usually plays the part instead of an actual shofar.